A sort-of-clever but certainly contrived mystery emerges somewhere in the middle of Parisukat, after we learn of the murder of a gay businessman (Toffee Calma), and all the four characters we've been following so far are pieces to the puzzle. There's the tranny (Darwin Taylo), the jock she's in love with (Christopher Canizares), the butch master of the house (Jobben Bello), and the young new tenant (Jeff Tatsuro). A silent house helper (Alvin Espinosa) adds nothing except decor. They converge in the same boarding house, and one of them may be the killer. Cool, eh?
Gay homicide has quickly become the year's cliche movie trend -- there's also Ben and Sam and Pilantik -- and we haven't even reached 2010's halfway mark. Writer-Director Jonison Fontanos says he drew inspiration from a gay friend murdered by a callboy.
Pulpy by structure, but flat by execution, his second film is at least more coherent than Hugot. The movie is like its star, Jeff Tatsuro: a cutie, but the expression is too blank to reel us into the fear and danger beneath the surface. Maybe those long exposition minutes should have already been laced with suspense, or at least, more fun, or sexuality. He gets us restless before he gets us thrilled.